West Coast Signings - THIS Weekend!

It's West Coast Whirlwind Weekend Time! This weekend I have TWO signings coming up on the west coast:

I can't wait - I may never leave. I'll be signing books, drawing sketches, and I'll have prints and original art with me to browse through. Come visit and say hello!

(psst - and if you say the magic word - aka QUELLISH - get a free sketch of your choice!)

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Gods & Undergrads Book 2 - Back in Stock!

That's right, Gods & Undergrads Book 2 is now back in stock!

Want to find out what happens when Lelaina really falls for Linden? Or what rage in a college undergrad whose parents happen to be Greek gods looks like? Or who the next God to arrive at Troy University is?

Here's the book in my shop - and order ANY Gods & Undergrads books now and get a sketch of the Greek God of your choice on the inside! (just don't forget to tell me which one)

Oh yeah, and I managed to get it reprinted in full color without sacrificing one of my cats. Hooray!

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Bmore Into Comics #3

Saturday, May 17th 12:00 - 4:00

It's time for our next installment of Bmore Into Comics!

Created last year, Bmore Into Comics is a series of small, one-day shows stocked with local comics creators and set in bars in/around Baltimore. If you're a localite, come out this Saturday from 12 - 4:00 to Hampden's new Belgian Beer Bar De Kleine Duivel. We'll have comics creators, books for sale, banter, and oh yeah - a TON of specialty beers! I'll be there with all my books and prints in tow!

Here's the list of creators on tap (GET IT? TAP? Because there'll be beer?? Ok, I'll slink away now):

(and of course, me!)

Click on the event page and join us!

Can't wait to see you guys and toast to comics!

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The Perils of a Non-Wine Diet

No, no, not having wine has been fine - TOTALLY FINE.

I've mentioned before that I have SIBO (aka Small Intestinal Bacterial Overgrowth), which basically means at some point I had one too many bouts of food poisoning/food allergies, and now I have no clue what I should and shouldn't be eating to get better. I've spent the last couple of years dabbling amongst gluten-free, grain-free, dairy-free (EGADS cheese-free) and sugar-free diets. Oh, what a joy it's been!

For the last year, I've been mainly sugar and grain-free, which hasn't been too terrible. Sure, I gave up a lot of bread and desserts, but I still had my honey and my wine, so they were my trusty companions on my life raft of diet isolation. The funny thing was, being a candy/sugar-holic my whole life, I actually started to TASTE things in vegetables that I hadn't before. Now, I'm not going to tell you that suddenly asparagus tasted like Lucky Charms, but I have found veggies to be not as horrific as I once thought. Tea is suddenly less bland! I can stomach the idea of cauliflower! WHAT IS HAPPENING TO ME!

But, unfortunately, as much as I wanted to convince myself that the diet was slowly choking out the SIBO on its own, I had to admit it wasn't quite gone. And swallow my fears to visit the doctor my gastro recommended . . . who just so happens to work at the CENTER FOR INFECTIOUS DISEASE - how's that for reassuring me and motivating me to try the next step? So yeah, I put off going there for ohhhh about 6 months. Maybe a bit longer. C'mon diet, do your magic! Ugh. So eventually I sulked on over to the CID and met a lovely doctor who was completely reasonable and non-panicky and recommended I try both the antibiotic I'd had previous success with combined with another one that MAY OR MAY NOT CAUSE LIVER DAMAGE AND HEARING LOSS. She laughed and said "Ohhh, only if you take it for months, and you'll only be taking it for 2 weeks, no big!" So I got the prescription filled in record time (I was hoping they'd have to take years to fill it) and sat staring at my latest round of antibiotics. And proceeded to put off taking them another 2 months. Hey, I'm a travelin' fiend, alright? I can't be expected to sell comics and travel AND be taking a zillion ear-murdering pills every day!

So I waited until I was going to be at home for a solid 2 weeks. And I decided that in conjunction with the liver/ear slaughtering meds, I should probably give up alcohol for the duration too, just to give it the best chance to work. As much as I was dreading taking the pills (because it's always fun having people make assumptions about you when you're a lady of a certain age being nauseous in public), I was dreading going alcohol free more. Two weeks without my wine! Now I'm just trapped in this boat with my honey!

So here I am, a week in. One more week to go! Will this work?? WHO KNOWS!

Here are some of the things I've discovered so far in not drinking wine:

  • I am much more active. Not drinking means I won't go "Oh, I had a glass of wine today, therefore I can't go for a run/bike ride/exercise activity at all".
  • A lot of times I feel obligated to drink. Not by any other person, more just in the situation. I used to feel the same way about food before I had any restrictions in my diet. "I CAN eat chips, so I might as well eat chips nonstop at this party" became "I might as well drink wine, since it's not like I can have dessert"
  • I'm also more productive. "I can't drink, so I might as well get these pages inked." Not drinking wine = boredom = gettin' shit done.
  • I sleep better. Like a ROCK, in fact.

Now, I'm not making this list to tell y'all that I'm going to be giving up wine. Rather, I find it kind of interesting that as with restrictive diets, I've discovered cutting out one or two things for a short duration provides me with perspective and an opportunity to learn how good I can be at flexing my willpower muscles. And it's true when they say that flexing willpower gives you more confidence to conquer other things. Hell, I should've already learned that when I had to give up cheese. If I can do that, I CAN DO ANYTHING. The thing I need to figure out is how to do that without restrictions when (if ever) I'm back to my normal life. How to retain some good habits without being all hardcore about it? I'm like a cheetah in that regard - I'm successful at short bursts. I'm not a monster.

But I did already pass my first test last weekend, when a mistake with the food at my favorite restaurant motivated the manager to BRING US OUT FREE MIMOSAS. My fiancee, who's kindly been having a dry 2 weeks with me, had to take one for the team. Because of course you're offered free, delicious alcohol when you can't have it. Of course.

And thus continues the latest chapter in my ongoing GUT WAR. I'll let you know what happens when I get my wine back.

Wanna read the whole story of my food drama in exciting, whiny installments? Click here!

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Panels of Fun

Note: all of those pictures were taken from Rafer's tumblr - check him out!

Yesterday I was honored to be part of a panel on "Beyond Text and Line: A Discussion on the Art of Comic Books” at the incredibly beautiful Strathmore Institute, which is currently running a really cool art exhibit on Comic Books and Comic Book Art (it's running until June - check it out!). Together Emily Gillis, JD Deardourff, Rafer Roberts, moderator Greg McElhatton, and I all perched ourselves on stools in one of the Strathmore Mansion's gorgeous old rooms to chat about working in comics.

Panels are something I've only had limited experience with so far, but I'm thrilled anytime I get to be on them (even though for a while it's touch-and-go with the butterflies and the heebie-jeebies and the "where will my sweat stains appear THIS time?")

One of the interesting topics brought up in the discussion of comic strips vs. comic BOOKS vs. the illustrious graphic novel was whether trends in audience preference or in technology have driven the evolution of comics. I've always thought that as television shows and movies have gotten more sequential and placed more importance on the narrative (story arcs and movie sequels vs. monster/moral of the week sitcoms), a lot of comics have followed suit. While there still are one-shot comics with gags or single strip stories, it seems people like a good, continuing story arc. But as one of the panelists pointed out, that could be because technology has allowed us to view things as tv shows and comics as worth preserving rather than as disposable, therefore logically story topics have followed suit.

We got a couple questions on what "gateway comic" we'd use to get folks interested in comics, which spurred some Contract With God, Sandman, Y The Last Man, The Dark Knight Returns shout-outs. When I recommend comics, though, I tend to go by the genre that the person is interested in - for one friend who's into strong, female characters - I recommended Strangers In Paradise and Queen & Country. For another into a lot of film noir, I recommended You Have Killed Me. I think the more we treat comics as having many different genres contained within them, rather than comics as a whole as ONE genre, the more we hope to get comics more into the mainstream reading public.

See, this is why I love being on panels so much, and in non-convention environments in particular. It's the chance to combine fellow comic industry buds with people who think comics are a weird, mystical land of nerds - all of us coming together and figuring comics out. :)

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Stripped at Strathmore

Hey locals!

Tomorrow I will be at the Strathmore in Bethesda to participate in a discussion on comics for “Beyond Text and Line: A Discussion on the Art of Comic Books”. I'll be chatting with fellow comics creators Emily Gillis, JD Deardourff, and Rafer Roberts about our work, our history, what comics we LOVES, etc. Afterwards we'll be viewing the Stripped documentary, which I can't WAIT for - all my beloved comics professionals that I grew up obsessing over, all in one place on screen!

If you're around, come in for a lovely afternoon of grinning about comics. Click here to get tickets!

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Pirating Those Comics

Recently, a friend of mine told me that my comic Boobage had showed up on one of those tricksy pirating websites, where it had been downloaded a WHOLE mess of times. Way more times than any number of copies I've sold through my website, stores, or via Comixology. Okay, way way WAY more times. (I feel it's necessary to mention here that you can BUY Boobage from me here in book form or read here on Comixology, or find in one of these many fine stores.) It's by far my most popular book, since it containts both boobs and true stories, and has gotten a slew of good reviews.

He asked me how I felt about this, and I thought it was an interesting question. I've been doing webcomics for over ten years now, back when I started my "Greek Gods invading college" comic Gods & Undergrads in 2001. When you do webcomics, the model has always been that you create and have available comics on your site, updated regularly, all for free. Over the years cartoonists have been able to live off of their comics by employing ads, doing Kickstarters, even joining paid webcomic subscription services like ye olde Webcomic Nation back in the day (yep, I was part of that - I'm OLD!)

For those of us who regularly produce comics via the internet, it's always been kind of understood that we're going to have to give away a lot of content for free. Heck, just being an artist of any sort, people expect you to give away a lot of stuff for free, whether by offering payment in the form of "exposure" or "portfolio pieces" or being severely underpaid for loads of work. So we webcomics creators are already kind of predisposed to this. Finding a way of monetizing work that is already widely expected to be free has always been a challenge.

And why do I want to find ways to get money from my work? Nope, it's not to get ridiculously wealthy (though it's cute that anyone might think you can GET ridiculously wealthy from comics). For me, the goal has always been to live off of doing what I love. And what do I love? Comics! Drawings! Designing art stuffs!

Chuck Wendig wrote a post a few weeks back about his feelings on piracy and things such as Patreon, which pretty much sums up a lot of my feelings on the subject. But he also particularly calls out Patreon and Donate Buttons (things which I have and will be making use of on my site) as something that's beside the point of what he's doing - he'd rather you just BUY AND READ HIS WORK. As someone who is excitedly considering Patreon and Kickstarter as means of supporting my comics, at first I was a little disheartened, thinking he was criticizing those tools as being "beneath a true creator" or something. But no, what he's saying quite simply is - if you like the art, support the art. If you read the comic for free, tell people about it, blog about it, drive up those traffic numbers, buy a book version of the comic at a convention or a store or online.

When I found out my work was being swiped and read for free (well, the few books of mine that aren't already free), I felt the same way probably a lot of creators have in my place. AWESOME, there are people checking out my stuff - perhaps I have a new fan! Or two! Maybe they'll say hi!!

I'm off to go buy some of Chuck Wendig's books.

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Asbury Park Recap!

I'm back from the magical Asbury Park!

Since growing up in Maryland and heading over to Ocean City several times in my youth (and a few, unfortunately, as an adult), I was super pleased to see Asbury Park was what I expected from a longstanding beach town. Old, historic architecture that was once flashy and now delightfully creepy and antique. Give me authentic buildings with some stories to them over brand new strip malls and gaudy hotels any day of the week! Especially since I assumed they were all haunted. Including my hotel room, in which all of the walls appeared to be crying. True, it was because the A/C wasn't working and condensation was EVERYWHERE, but it could've been blood dripping down the walls. (Yes, I switched rooms - me + humid and soggy does not equal happy fun time).

So the show was a lot of fun - again, I prefer shows that are housed in a building unique to their town to a generic convention center - and this one was located in the blood-crying hotel where I was staying. Which mean fun architecture and natural lighting galore!

My table set-up wasn't that exciting this time:

But I enjoyed trying to simplify my books in the hopes of making it easier on visitors' eyes.

This super cute family ordered a Mother/Son portrait - they were rocking these costumes!

I also met a BUNCH of the Red Bank Roller Vixens, and the Jersey Junior Roller Derby League! AAAHH, they were so awesome and fierce and holy god they are going to be a million times better than I ever was at derby (okay, they probably are already). More junior derby leagues in more towns NOW!!

I didn't get out much during my brief stay, but I'd definitely head back for some more magical creepiness. I'd just bring WAY more layers - never underestimate the power of a windy beach town! BRRRR!

BIG HUGE thanks to all the great folks that came out and said hello to me!

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Emerald City Con Recap & Sketches!

Yayyyy it's good to be home! Well, kind of. It was really nice getting to see the gorgeousness of the west coast again, and traipse about in Seattle's perfect (PERFECT) weather and pretend I lived there. I'm therefore always a little sad to come home again.

Comic conventions are always a gaggle of emotions and experiences for me, and after they're over it's good to get to relax, but also hard to relax when you've been so motivated and inspired to DO MORE COMICCCCSSSS all weekend. That is just part of the delicious nature of this comic beast - get all ramped up and exhausted creating stuff, then spend a weekend yelling and laughing and discussing comics all weekend, then flop home exhausted, but still wired and inspired to do more comics stuff once again. Sigh. Sometimes it's hard to sulk back to my day job after such experiences, remembering I have some Clark Kenting to do in my real life until comics become my real life.

Every convention I try to do better at The Thing I Am Worst At - i.e. promoting myself and networking with fellow comics peeps. This year I think I did a bang-up job, even though it wasn't without it's awkwardness (Yes, I did splash myself in the face with water as I was talking to someone). To put things in perspective, last year at ECCC I spent a lot of time hiding out in my hotel eating my meals alone. So this year it was bound to be better! Plus, it didn't hurt that I found some beloved comics peeps I've hung out with before, and they allowed me to chat within their orbit and meet others through them.

I think I've learned one of the most important aspects of networking - just try to be a pleasant human that's in the conversation. Just stand there, absorb, and most importantly, ask about and listen to the other people. Don't push yourself or your work on them. Participate, be a good conversationalist, enjoy the moments, and hey, maybe they'll remember you next time. And don't beat yourself up if it doesn't work. Or rather, if you THINK it's not working. True, you may get into an annoying situation where the other comics peeps pretend you don't exist or that you've somehow invaded their elite comics party, but sadly that's the nature of the beast. All of us creators are socially awkward in SOME way, and it's best not to assume others are maliciously being tool bags, just unintentional tool bags. (Plus you can quietly go home and unfollow them and they'll NEVER KNOW.)

Okay, enough of my convention musings. All of you guys who came by and chatted with me and told me you read Bonnie and/or Gods & Undergrads (and didn't hit me for not updating it for a while) and bought sketches and did things - you're all so wonderful. THANK YOU for being the awesome people I'm lucky to have as readerssss!!

Let's get on to the sketches! I was really happy with this bunch, they were so much fun to do.

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Calling all West Coasters!

Did I mention I'll be going to Seattle next weekend? For the illustrious EMERALD CITY COMIC CON??

Well, I will be! And although this year I won't be next to my all-time idols The Pini's, I WILL be there ready for some fun and to see what the Seattle weather does to my hair.

HERE'S HOW TO FIND ME!

I'm not sure yet if this is a good spot or a bad spot ... but I dooooo really hope you'll come look for me!

Table M-05. M for Monica, and '05 as in . . . the year I got my kitty cat. He's a large dude:

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Art Show Opening Tonight!

For any local-ish people out there, tonight kicks off a gallery show at 505 North Art'iques Gallery Studio in lovely downtown Frederick, featuring comics!!

I'll have a couple pieces in the show, as will a bunch of other comickers. Just recently I've started to consider even selling my originals (because usually they're a hot mess of intentional and unintentional lines), so it was really fun trying to choose a couple to frame for this show. Here are the finalists, a page from Gods & Undergrads Book 3 and one from Lipstick & Malice #3:

I'll be there for the opening tonight at 6:00, but the show will be up until April 11th!

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Ode to Workflowy

I've been through a lot of various "To Do" apps because I'm a crazy person who makes lists in order to clear her mind. I need somewhere to store all the stupid things I want to do someday, the stupid things I want to do tomorrow, and oh yeah, some of my ideas for comics and things.

So far I've tried:

None of them have really given me what I've been looking for. Evernote was difficult to add things to quickly and find later, Remember the Milk was ridiculous in that it would only sync with your phone ONCE a day, etc. Usually if I noticed I didn't bother opening the app several times a day, then there was something about it's UX that didn't mesh with my crazy brain.

So, enter .... WORKFLOWY! Even the name is fun! And their slogan is "Make Lists. Not War." which makes TOTAL SENSE.

So if you're a comicker who has a zillion projects you're always creating and planning and having ideas for, there you go! Map 'em out, categorize 'em, but (my favorite) look at them all at once too! Oh and hey those of you going through the asinine process of planning a wedding like me? Here's a post on using Workflowy for that! (It also actually just goes through the basics of how to use it there really quickly, too)

**Note: I didn't get paid to drone on about Workflowy, I just like to give some shoutouts to apps and things that harbor KILLER design from time to time. :)

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Staple Stuff

As always, I had a FABULOSO time in Austin at Staple last weekend, even though I think I made the mistake of staying at my hotel too much (what can I say, I'm one of them introverted types) and therefore, the hotel workers were getting a little TOO familiar with me. "Ms. Gallagher, would you like another bottle of wine this evening?" Um ... I could be all "You don't know me!" but clearly, he did.

I had a blast chatting about comics, meeting new people, and even being included on a Webcomics Marketing Panel! Even though sometimes I get a little stage frighty, I LOVE being on panels and getting to chat about comics to a larger audience. This one was moderated by Mr. Boundless Energy Richard Whittaker, I got to chat with Jeremy The Artist, Jason Poland, and Kennon James.

It seemed like most of the questions from the audience were in regards to HOW to start a webcomic - i.e. what platform to use, what tools, how much web design do you need to know, etc. One thing we all seemed to agree on was to just start DOING. Start creating, and whether you post stuff via your phone camera and uploading to a newly created Tumblr page, or scanning and posting stuff on your own website/blog, the important thing was to just get started. No matter what, it won't be perfect and it will continue to evolve, no matter how much you plan and think you've thought of everything from the start. That's why I figure it's best to just do, go, draw, write! Nothing will be perfection, and everything will change, so you might as well kick it into gear and start!

As always, Chris "Mr. Staple" Nicholas put on a really fun show that I feel like highlights some of my favorite things about Austin - friendly people, oodles of creativity, and endless things to see. I sat next to super talented ladies Diana Steig and Anissa Bryant, who were kind enough to share their food supply with me and take me out on the town. And I even got to catch some of the Oscars and snark about them with Chip Zdarsky!

Here are the fun sketches that lovely people asked me to do:

Now I get to gear up for the next show . . . Emerald City Comic Con at the end of this month!

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Last of the Colorful Gods & Undergrads Books

EEK! My 2nd volume of Gods & Undergrads (i.e. the book where SHIT REALLY GETS REAL) is almost sold out! Now, I'll be reprinting this volume, so too much panicking isn't really necessary, BUT not in color. Not again, not for a little while. Until, y'know, the massive omnibus of all things Gods & Undergrads happens and I finally do a KickStarter about it or somethin' somethin' (which will probably totally happen at some point).

So if you want Book 2 in color ... act now! It's $8, and I've got four left. Tick ... tick ...

Here are some fuzzy pictures I took with my phone of this endangered beast in the wild ...

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Time for Austin!

It's been a WHOLE TWO YEARS since I was last in Austin, which makes me very sad. But I'm remedying that by exhibiting at the great Staple! this weekend!

It'll all be happening at the Marchesa Hall & Theatre this Saturday and Sunday. I'll have comics and prints and will be doing sketches and things AND on Saturday I'll be on the PM
 Making and Marketing Webcomics Panel from 1:30 - 2:30!

Come on out and say hello to all the wonderful comickers! I have to go figure out what I'm supposed to wear mid-winter for 80 degree weather ... all y'all Texans are crazy.

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There Comes A Time in the Life of Every Lipstick

I am a STAUNCH supporter of Nars's Cruella velvet matte lip pencil. It's creamy, it's matte, it doesn't get stuck to my hair and then spread strands of red all over my face like I was caught in a paper cut windstorm. It's my best friend, and we've been together for a long time.

But. FROWNY FACE.

I know that Cruella's time will come, and like all products I've loved and loyally supported, it will become discontinued. I'm still crying for Revlon's Candied Apple, circa 1998. And now every third time I try to order Cruella I get an "out of stock". Or, even more horrifying, I'll see a missing swatch of color where all the other Velvet Matte Lip Pencils reside - where Cruella had happily bridged the gap between blazingly red Dragon Girl and oh lord another shade of pink Never Say Never.

The hunt for a good red lipstick is tough, people, and it only gets tougher when colors like Coral come screaming on to the shelves, wiping out all the decent reds and promising you they won't look like fluorescent tangerine bubblegum on your face. Oh, but they will. They will.

So, this holiday season, armed with a generous Sephora gift card, I dipped my toe in another pool of reds - and found a new standby. I bring you Smashbox's BE LEGENDARY (which makes me say that, aloud, every time I use is a la Barney Stinson) lipstick in Infrared:

I'll admit it is a touch ligther than Cruella, and of course since it's a lipSTICK, you run into some of the usual stick problems. But because it's a matte, it has some staying power and doesn't want to bleed outside of my lips or leak onto my teeth.

It's not Cruella, but it'll do. And that's saying a lot!

Anyone else found any worthy reds out there?

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Wedding Planning Step 2: STD's

Google Docs has always kind of been my best friend, but I've definitely taken that to the next level by throwing nearly everything I own into a spreadsheet. Links, recipes, ideas, ... I have no idea why, but everything looks better to me when separated by little gray boxes, in columns, in a spreadsheet. So you know any wedding planning I do is going to be TABS GALORE.

Several people have been asking me recently how the wedding planning is coming, a question which instantly stabs me with fear. Why, what should I be doing? Am I doing something wrong? I have a place and a person, isn't that all I need?? Okay okay, I know there will need to be chairs and food and someplace to go to the bathroom and all, since I am inviting and hoping friends and family will come. I guess the thought that I should be thinking of other things right now (rather than sitting around drinking coffee, saying "November is AGES away!" to myself) isn't really on my radar.

BUT! I did get the blasted Save The Date's out, so that's something! We decided to go with Paperless Post, a site that lets you send fancy emails that look like they're jumping out of envelopes and on to your screen. Part of me can't wait to design the wedding invites themselves, because it's a design project and I'm a nerdy designer, but I figured the STD's should be simple and via email. And hey - FREE! So we chose a super simple template and customized it so it would carry our faces instead of the default hipsters.

We're not photo people, so it fell on me to try to capture our essence in a drawing. First, I came up with this one:

MD_SaveTheDate_350

Which, in my opinion, screams YAY FUN WEDDING MUPPETS PEOPLE! But for some reason my fiancee wasn't too thrilled with that one (something about his arm looking weird, yadda yadda), so we ended up sending Version 2, the Dignified Adults Excited About Getting Married Drawing:

MD_SaveTheDate_BW

And since my fiancee is also my Perspective / Anatomy Quality Control Checker on most of my drawings, it became a nice collaborative effort. Since my tendency is to get a bit carried away with appendages and portray everyone in man hands all the time.

So there you have it, STD's are done! It was so fun and easy, maybe the invites themselves should be email too ... hmm ....

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